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DTSTAMP:20250522T212947Z
LOCATION:Mile High 2A
DTSTART;TZID=America/Denver:20240728T104500
DTEND;TZID=America/Denver:20240728T121500
UID:siggraph_SIGGRAPH 2024_sess183@linklings.com
SUMMARY:Making a Wish
DESCRIPTION:Art-directing Asha's Braids in Disney's Wish\n\nFor Disney’s “
 Wish”, in addition to the challenges of a stylized look, Asha's hairstyle 
 comprises a full head of tightly braided locks which was far more complex 
 than previous braid grooms. To art-direct Asha's stylized braids' performa
 nce, advancements were made in tools and workf...\n\n\nAvneet Kaur, Jennif
 er Stratton, David Hutchins, and Nikki Mull (Walt Disney Animation Studios
 )\n---------------------\nCharacter Stylization in Disney's Wish\n\nThe lo
 ok of characters in "Wish" is inspired by the storybook style of earlier D
 isney classics. Details in appearance, shading, and streamlined geometric 
 shapes of models and grooms provide the foundation for the stylization and
  art-directed performance. A final compositing treatment produces the pa..
 .\n\n\nAvneet Kaur and Jennifer Stratton (Walt Disney Animation Studios)\n
 ---------------------\nCreating the Wishes of Rosas\n\nThe wishes of Rosas
  are a central story device in Disney’s "Wish". The art direction and narr
 ative required that wishes react to external story events, interact with c
 haracters, and be artistically choreographed en masse. The breadth of thes
 e requirements drove the development of our unified w...\n\n\nNeelima Kara
 nam, Joel Einhorn, Emily Vo, and Harmony M. Li (Walt Disney Animation Stud
 ios)\n\nRegistration Category: Full Conference, Full Conference Supporter,
  Virtual Access, Exhibitor Full Conference, Sunday\n\nSession Chair: Veron
 ica Orvalho (Didimo Inc., Universidade do Porto)
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