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DTSTAMP:20250522T212947Z
LOCATION:Exhibit Hall F
DTSTART;TZID=America/Denver:20240801T110000
DTEND;TZID=America/Denver:20240801T153000
UID:siggraph_SIGGRAPH 2024_sess280@linklings.com
SUMMARY:Art Gallery
DESCRIPTION:The Art Gallery takes a captivating journey into the evolution
  of language technology in creative expression and the broader societal di
 alogues.\n\nA Monocular Dialogue\n\nA Monocular Dialogue incarnates myths 
 in the age of Information and Technology. It is an encounter with a single
 -eyed robot that stares at you and endlessly whispers its inner rumination
 s. Underneath this confluence of a Cyclops from Greek mythology and Artifi
 cial Intelligence (AI) from modern techn...\n\n\nLouis-Philippe Demers (In
 dependent)\n---------------------\nCodex\n\nLetterform (2017) is a series 
 of A.I.-generated letters that explore the limits of written language syst
 ems to the point where they break down beyond the compromised inherited st
 ructures of computation. Each form was generated with a recurrent neural n
 etwork (Google’s Sketch RNN model) trained...\n\n\nSarah Rosalena\n-------
 --------------\nPreceding Emptiness: Alternative Arabic Typographic Techno
 logies\n\nPreceding Emptiness was created by xLab co-founders designer Lev
 i Hammett, architect Mohammad Suleiman, together with artist Hind Al Saad,
  and designer Fatima Abbas. Featured at the VCUarts’ Language-as-Machine e
 xhibition, and the ARS Electronica Festival - the work is the latest light
  install...\n\n\nLevi Hammett, Mohammad Suleiman, Hind Al Saad, and Fatima
  Abbas (xLab / VCUArts Qatar)\n---------------------\nVocable Code\n\nVoca
 ble Code is both a work of “software art” (software as artwork, not softwa
 re to make an artwork) and a “codework” (where the source code and critica
 l writing operate together) produced to embody “queer code”, examining the
  notion of queerness in computer codin...\n\n\nWinnie Soon\n--------------
 -------\nAlgorithmic Amplification\n\n"Algorithmic Amplification" leverage
 s large language models to create a tangible representation of digital ech
 o chambers, highlighting how language shapes perceptions and reinforces be
 liefs. It examines AI's effect on language and culture, revealing a parado
 x: while LLMs are a major AI advancement, ...\n\n\nTheodoros Papatheodorou
  (Hong Kong University of Science and Technology, Guangzhou; Random Quark 
 Creative Technology Studio) and Jesse Wolpert (Goldsmiths University of Lo
 ndon, Random Quark Creative Technology Studio)\n---------------------\nRag
 e Against the Archive\n\n'Rage Against the Archive' is an experimental bro
 wser-based video that critically probes how the New York Public Library's 
 website catalogs and displays dehumanizing ethnographic photos from the 19
 th-century colonial-era publication ‘The People of India,’ questioning cap
 italism’s i...\n\n\nAnshul Roy (Syracuse University)\n--------------------
 -\nLoss of Sonnet 18\n\nThis project is an explorative digital art install
 ation that delves into the phenomenon of generation loss in digital signal
  processing - the inevitable degradation of information (e.g., words) qual
 ity through copying and propagation. It transcends the technical realm to 
 probe how this concept appli...\n\n\nJunxiu Tang and Jiayi Zhou (State Key
  Lab of CAD and CG, Zhejiang University); Yifang Wang (Kellogg School of M
 anagement, Northwestern University); Xinhuan Shu (School of Computing, New
 castle University); Peiquan Xia, Xiaojiao Chen, and Tan Tang (School of Ar
 t and Archaeology, Zhejiang University); and Yingcai Wu (State Key Lab of 
 CAD and CG, Zhejiang University)\n---------------------\nLove letters with
 out the recipient\n\n"Love Letters without the Recipient" combines artific
 ial intelligence technology, artistic expression, and Eastern philosophy. 
 An AI writing machine continuously performs the futile task of writing eph
 emeral love letters, infused with the concepts of "self-attachment" and th
 e impermanence of Eastern...\n\n\nZiyao Lin (Goldsmiths University of Lond
 on, Central Academy of Fine Arts)\n---------------------\nDisruptive Critt
 ers\n\nDisruptive Critters is a playful interactive audiovisual installati
 on designed for live sound art performances by the DuckworthHullickDuo. Am
 id advances in artificial intelligence, Disruptive Critters provides a hum
 orous exploration of future creativity and digital disruption through the 
 vocalized p...\n\n\nJonathan Duckworth (RMIT University), James Hullick (J
 OLT Arts), and Ross Eldridge (RMIT University)\n---------------------\n[si
 n-gí]:Data Weaving\n\n" Data Weaving" connects digital language and cultur
 al language, developing sound waves of real-time visual programming. It tr
 anscodes sound data of local narratives into woven visual patterns, becomi
 ng a touchable textile embedded with body artistries and generating local 
 narratives in cross-cultur...\n\n\nHsin-I LIN (National Tsing Hua Universi
 ty)\n---------------------\nVirgil Ortiz: ReVOlt 1680/2180\n\n“Art is as e
 ssential as our Pueblo language and way of life. It creates the connection
  to the next generation — to advance into the future utilizing relevant, e
 ngaging storytelling and modern, high-tech devices and platforms — this me
 ans crafting ideas that engage imagination and f...\n\n\nVirgil Ortiz (Vir
 gil Ortiz Creations)\n---------------------\nWe Forge the Chains We Wear i
 n Life\n\n“We forge the chains we wear in life” is an aphorism by Charles 
 Dickens. This chain is a metaphor for heavy and unbreakable things that bi
 nd our ideas and emotions. That is, words that tend to possess our minds a
 nd souls can also become chains. This inspired me to create a device that 
 fo...\n\n\nYuichiro Katsumoto (Tokyo Denki University, Katsumotoy)\n------
 ---------------\nSpambots\n\nSpambots explores what would happen if machin
 e learning was used to empower a group of robotic Spam cans to tell their 
 tales.\n\n\nNeil Mendoza (Neil Mendoza)\n---------------------\nI Tell the
  Moon My Secret and the Moon Tells Me Yours\n\nThe robotic arm repeatedly 
 depicts the waveform of the collected secrets, creating light painting pho
 tographs with the involvement of Moon. Only when the Moon appears within i
 ts field of view can the waveform of the secret be successfully captured b
 y the camera with a long exposure. The visual is de...\n\n\nZoe Qi-Jing Li
  (Hong Kong University of Science and Technology, Guangzhou)\n------------
 ---------\nRGB\n\nThe series RGB brings the Cosmic Microwave Background (C
 MB) into the material world. In crafting her weave, she meticulously extra
 cted the red, green, and blue color values from a digital image of the CMB
  and translated them into the warp threads of her twenty-four-shaft dobby 
 loom. These digital bi...\n\n\nSarah Rosalena (University of California Sa
 nta Barbara)\n---------------------\nCybernetic Oracle\n\nDo Large Languag
 e Models produce the truth or technological hallucinations? Cybernetic Ora
 cle invites visitors to use cartomancy to gain insight into their past, pr
 esent and future with a deck of 78 tarot cards and a book of tarot card in
 terpretations designed by the artist in collaboration with gen...\n\n\nHan
 nen Wolfe (Colby College)\n\nRegistration Category: Full Conference, Full 
 Conference Supporter, Experience, Exhibitor Full Conference, Exhibitor Exp
 erience
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